{"title":"政治幽默:革命后埃及绘画中的模因","authors":"Eman Abdou","doi":"10.1080/14702029.2021.2022291","DOIUrl":null,"url":null,"abstract":"ABSTRACT Various humoristic approaches have manifested in contemporary Egyptian painting in the aftermath of the revolution. This article examines the use of memes in contemporary political painting, and why Egyptian artists started to initiate humor and laughter, even if it was cynical or bitter. It adopts a critical model for analysing humoristic paintings initially developed from the general theory of verbal humor for analysing jokes and texts.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"44 1","pages":"133 - 146"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Political humor: memes in Egyptian painting after the revolution\",\"authors\":\"Eman Abdou\",\"doi\":\"10.1080/14702029.2021.2022291\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Various humoristic approaches have manifested in contemporary Egyptian painting in the aftermath of the revolution. This article examines the use of memes in contemporary political painting, and why Egyptian artists started to initiate humor and laughter, even if it was cynical or bitter. It adopts a critical model for analysing humoristic paintings initially developed from the general theory of verbal humor for analysing jokes and texts.\",\"PeriodicalId\":35077,\"journal\":{\"name\":\"Journal of Visual Art Practice\",\"volume\":\"44 1\",\"pages\":\"133 - 146\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Art Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14702029.2021.2022291\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2021.2022291","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Political humor: memes in Egyptian painting after the revolution
ABSTRACT Various humoristic approaches have manifested in contemporary Egyptian painting in the aftermath of the revolution. This article examines the use of memes in contemporary political painting, and why Egyptian artists started to initiate humor and laughter, even if it was cynical or bitter. It adopts a critical model for analysing humoristic paintings initially developed from the general theory of verbal humor for analysing jokes and texts.
期刊介绍：
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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