学会失败

IF 0.2 4区文学 0 LITERATURE RENASCENCE-ESSAYS ON VALUES IN LITERATURE Pub Date : 2021-01-01 DOI:10.5840/renascence20217328

Todd Copeland

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引用次数: 0

摘要

在个人苦难和新影响的挑战下，美国诗人詹姆斯·赖特在分别出版《圣犹大》(1959年)和《树枝不会折断》(1963年)之间的几年里，戏剧性地改变了他的诗歌特征。这种诗歌进化的本质可以追溯到赖特对一些经常使用的转换图像的处理，特别是那些涉及花朵和珠宝的图像——诗人交替地体现了这些能量，或者发现他无法获得这些能量。

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Learning to Be a Failure

Challenged by personal suffering and new influences, American poet James Wright dramatically changed the character of his poetry during the years between the respective publications of Saint Judas (1959) and The Branch Will Not Break (1963). The nature of this poetic evolution can be traced in Wright’s treatment of a few frequently employed images of transformation, specifically those involving blossoms and jewels—the energies of which are alternatingly embodied by the poet or found to be unavailable to him.

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