反式失败

Q1 Social Sciences Cultural Politics Pub Date : 2022-03-01 DOI:10.1215/17432197-9516968
A. Lehner
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引用次数: 0

摘要

本文探讨了通过创造性实践体验跨性别快乐的可能性,作者称之为“跨性别失败”。正如作者所定义的那样,跨性别失败建立在酷儿失败的基础上,比如抛弃限制性的文化规范(如二元性别和压迫性的身份框架),并结合新的策略,如将游戏作为一种超越现有界限的自我表达方式。Trans failure对游戏的使用带有乌托邦的冲动,通常是通过戏剧性、愉悦、合作和实验的交替策略来实现的,在一种制定替代世界和体验快乐的模式中。本文讨论了如何利用游戏这一转换失败的战略模式来干预消费文化,并努力实现自我表达和获得快乐。首先,概述了我们今天所理解的性别的解释。然后,围绕跨性别选民代表的问题被讨论为有问题的性别主导概念,并在主流消费文化中延续。然后分析了两个不同的当代项目,它们破坏了消费文化的空间,部署了作者所称的一种寻求创造快乐的转型失败实践。
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Trans Failure
This article explores potentialities for experiencing trans joy via creative praxis, which the author coins “trans failure.” As the author defines it, trans failure builds on examples set by queer failure, such as casting off limiting cultural norms (like binary gender and oppressive framings of what identities should look like), and incorporates new strategies such as deploying play as a means of self-articulating beyond the bounds of what is currently available. Trans failure's use of play has a utopian impulse often achieved via alternating strategies of theatricality, pleasure, collaboration, and experimentation in a mode of enacting alternative worlds and experiencing joy. The article discusses how play, a strategic mode of trans failure, is used to intervene in consumer culture and to work toward self-articulation and the procurement of joy. First, an explanation of gender as we understand it today is sketched out. Then, issues around representations of trans constituencies are discussed as problematically informed by dominant conceptions of gender and perpetuated in mainstream consumer culture. Then two distinct contemporary projects that disrupt the space of consumer culture are analyzed, deploying what the author names a praxis of trans failure in search of creating joy.
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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