折射目光:与伊内斯·约翰逊-西班牙关于成为黑人的对话(2019)

IF 0.2 Q3 Social Sciences Feminist German Studies Pub Date : 2022-03-01 DOI:10.1353/fgs.2022.0008
Angelica Fenner
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引用次数: 0

摘要

摘要:电影制作人伊内斯·约翰逊-西班牙讲述了她与她的非洲父亲遗产联系的个人旅程,在她在东德的童年时期,她的(白人)父母一直压抑着她对非洲父亲遗产的了解。由此产生的长篇纪录片揭示了德意志民主共和国复杂的国际纠集,这些纠集源于招募来自社会主义国家(包括全球南方国家)的国际学生。与德意志民主共和国的家人和朋友,以及与她在多哥和贝宁的父系亲戚的交谈,揭示了在德国历史的不同阶段,国界的跨越如何重新配置了依恋的社会网络。作为电影的导演和主角,约翰逊-西班在表演上直面了国家过去未被改造的种族主义,这些种族主义塑造了她的关系,甚至到了现在。因此,她为德国黑人历史的档案化做出了贡献——无论是在个人层面上,还是在国家历史和散居海外的黑人历史上,她都做了一项有影响力的体力劳动。
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Refracting the Gaze: A Conversation with Ines Johnson-Spain on Becoming Black (2019)
Abstract:Filmmaker Ines Johnson-Spain discusses her personal journey to connect with her African paternal heritage, knowledge of which had been suppressed by her (white) parents throughout her childhood in East Germany. The resulting feature-length documentary sheds light on the GDR’s complex international entanglements as these derived from the recruitment of international students from socialist countries, including those in the Global South. Conversations with family and friends from the GDR and with her paternal relatives in Togo and Benin reveal how the traversal of national borders has, at different stages of German history, reconfigured the social web of attachments. As both the film’s director and its protagonist, Johnson-Spain performatively confronts previously unreworked racisms of the national past that have shaped the terms of her affiliations even into the present. She thereby contributes to the archivalization of Black German history—performing a psychical labor as impactful on a personal level as it is on the scale of national history and that of the Black diaspora.
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
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