{"title":"搜索与破坏:南希·斯佩罗的战争系列，1966-70","authors":"Deborah Frizzell","doi":"10.1215/17432197-8017298","DOIUrl":null,"url":null,"abstract":"Abstract:This article is an analysis of artist-activist Nancy Spero’s War Series paintings, 1966–70. The author analyzes her paintings from this crucial time period within the context of significant historical events that impacted her artistic development of themes, formal devices, and radical breaks from numerous canonical art tenets. Within the emergence of the American political and artistic Left, Spero’s political radicalism became the foundation of her artistic content and studio practice. From this foundation, as an early feminist artist, Spero produced a wide-ranging figurative oeuvre that pioneered a new lexicon of image/text and figure/ground conjunctions, overturning the prescriptive universalist ideals of modern art.","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Search and Destroy: Nancy Spero’s War Series, 1966–70\",\"authors\":\"Deborah Frizzell\",\"doi\":\"10.1215/17432197-8017298\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article is an analysis of artist-activist Nancy Spero’s War Series paintings, 1966–70. The author analyzes her paintings from this crucial time period within the context of significant historical events that impacted her artistic development of themes, formal devices, and radical breaks from numerous canonical art tenets. Within the emergence of the American political and artistic Left, Spero’s political radicalism became the foundation of her artistic content and studio practice. From this foundation, as an early feminist artist, Spero produced a wide-ranging figurative oeuvre that pioneered a new lexicon of image/text and figure/ground conjunctions, overturning the prescriptive universalist ideals of modern art.\",\"PeriodicalId\":35197,\"journal\":{\"name\":\"Cultural Politics\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Politics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/17432197-8017298\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-8017298","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
Search and Destroy: Nancy Spero’s War Series, 1966–70
Abstract:This article is an analysis of artist-activist Nancy Spero’s War Series paintings, 1966–70. The author analyzes her paintings from this crucial time period within the context of significant historical events that impacted her artistic development of themes, formal devices, and radical breaks from numerous canonical art tenets. Within the emergence of the American political and artistic Left, Spero’s political radicalism became the foundation of her artistic content and studio practice. From this foundation, as an early feminist artist, Spero produced a wide-ranging figurative oeuvre that pioneered a new lexicon of image/text and figure/ground conjunctions, overturning the prescriptive universalist ideals of modern art.
期刊介绍：
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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