波兰是基列。流行病时代的流行文化、小说和表演抗议

P. Żukiewicz, Denis Gerlich
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引用次数: 0

摘要

使用标志性的流行文化符号是社会抗议组织者越来越常用的策略。漫画《V字仇杀队》(V for Vendetta)中的盖伊·福克斯(Guy Fawkes)面具成为“匿名者”组织的象征,后来又成为“占领华尔街”运动的象征。在Netflix的电视剧《纸之家》(La casa de papel)中走红的萨尔瓦多Dalí面具曾在西班牙和意大利的街头抗议活动中使用。HBO改编自《使女的故事》(the Handmaid’s Tale)的这部小说的主题,在波兰成千上万的女性抗议引入事实上的堕胎禁令的活动中获得了很高的关注度。基于在社交媒体上发布的记录波兰抗议活动的图像,我们展示了流行文化符号如何转化为文化代码,从而连接街头和在线抗议行动。在2019冠状病毒病大流行时代,这种联系变得至关重要。通过定性的视觉内容分析,我们对所使用的符号进行了分类。我们对表演性抗议理论的贡献是揭示波兰抗议者通过一般内涵所使用的政治系列类比的重要性:波兰是基列。
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Poland as Gilead. Pop culture fiction and performative protests in the era of the pandemic
The use of iconic popular culture symbols is an increasingly common strategy applied by social protest organizers. The Guy Fawkes mask from the ‘V for Vendetta’ comic book became a symbol of the Anonymous group, and later of the Occupy Wall Street movement. The Salvador Dalí mask, popularized in the ‘La casa de papel’ Netflix series, was used in street protests in Spain and Italy. Motifs taken from the HBO adaptation of ‘The Handmaid’s Tale’ novel gained high visibility in thousands of women’s protests against the introduction of the de facto abortion ban in Poland. Basing on images documenting the Polish protests published in social media, we demonstrate how popular culture symbols are transformed into cultural codes which bridge on-street and online protest actions. This connection has become crucial in the era of the COVID-19 pandemic. Using qualitative visual content analysis, we prepared a classification of the symbols employed. Our contribution to the theory of performative protests is to reveal the importance of analogies with the political series that Polish protesters have used by means of the general connotation: Poland is Gilead.
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