摄影中性别可视化的转变:苏联和俄罗斯的多重符号学

Q3 Arts and Humanities Discursos Fotograficos Pub Date : 2018-06-16 DOI:10.5433/1984-7939.2018V14N24P219
O. Pavenkov, M. Rubtsova, Ilya M Shmelev
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引用次数: 3

摘要

本文分析了近三十年来俄罗斯社会政治条件下性别形象新体系的建构。基于Kress和Van Leeuwen的多符号学理论和A. Dudareva, I. Groshev和M. Petrova的思想,我们对苏联和现代俄罗斯广告中的女性性别形象进行了研究。这些数据来自300张广告中的俄罗斯男人和女人的照片。为了便于编码,作者特意选择了300张图片。作为研究的结果,我们发展了俄罗斯广告中女性性别形象的类型学。我们得出结论,经济、政治和社会文化因素是现代俄罗斯性别形象转变的主要因素。女性的性别,她在媒体上展示的身体和身材,往往是性剥削的对象,当使用形象的影响和玩弄人类的性激情迫使他做出某些行为,比如购买商品。这种性别形象商业化的特点,使一个人,无论是男人还是女人,都变成了一种商品。性别正在转变为可以购买和享受的对象。
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The transformation of gender visualization in photography: Soviet and Russian multisemiotics
The article is devoted to the analysis of the construction of new system of gender images in the socio-political conditions in Russia during last thirty ages. Based on Kress and Van Leeuwen multisemiotic theory and the ideas A. Dudareva, I. Groshev and M. Petrova we conducted research of gender images of women in the Soviet Union and modern Russian advertising. The data comes from 300 images of the Russian men and women in advertising. 300 images were specifically chosen by the author in order to be acceptable for coding. As the result of the study we developed the typology of gender images of woman in Russian advertisement. We made conclusion that economic, political and socio-cultural factors were the main factors in the transformation of gender images in modern Russia. The gender of a woman, her body and figures demonstrated in the media, very often was object of sexual exploitation, when the impact of using the image and play with human sexual passion forces him to commit certain actions, such as buying goods. This characteristic of our commercialization of gender images makes a person, both men and women, into a commodity. Gender is transforming into the object that can be purchased and can be enjoyed.
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来源期刊
Discursos Fotograficos
Discursos Fotograficos Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
12 weeks
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