{"title":"近代早期英国思想史上的音乐之声","authors":"Marlene Eberhart","doi":"10.1080/20551940.2022.2064262","DOIUrl":null,"url":null,"abstract":"Chion, Michel. 2012. “The Three Listening Modes.” In The Sound Studies Reader, edited by Jonathan Sterne, 48–53. New York: Routledge. Dillon, Emma. 2012. The Sense of Sound: Musical Meaning in France, 1260-1330. New Cultural History of Music. New York: Oxford University Press. Leach, Elizabeth Eva. 2007. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY: Cornell University Press.","PeriodicalId":53207,"journal":{"name":"Sound Studies","volume":"87 1","pages":"257 - 260"},"PeriodicalIF":0.4000,"publicationDate":"2022-04-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Musical sound in the intellectual history of early modern England\",\"authors\":\"Marlene Eberhart\",\"doi\":\"10.1080/20551940.2022.2064262\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chion, Michel. 2012. “The Three Listening Modes.” In The Sound Studies Reader, edited by Jonathan Sterne, 48–53. New York: Routledge. Dillon, Emma. 2012. The Sense of Sound: Musical Meaning in France, 1260-1330. New Cultural History of Music. New York: Oxford University Press. Leach, Elizabeth Eva. 2007. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY: Cornell University Press.\",\"PeriodicalId\":53207,\"journal\":{\"name\":\"Sound Studies\",\"volume\":\"87 1\",\"pages\":\"257 - 260\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-04-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sound Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20551940.2022.2064262\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sound Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20551940.2022.2064262","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Musical sound in the intellectual history of early modern England
Chion, Michel. 2012. “The Three Listening Modes.” In The Sound Studies Reader, edited by Jonathan Sterne, 48–53. New York: Routledge. Dillon, Emma. 2012. The Sense of Sound: Musical Meaning in France, 1260-1330. New Cultural History of Music. New York: Oxford University Press. Leach, Elizabeth Eva. 2007. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY: Cornell University Press.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
