《无话可说》

IF 0.3 0 LITERARY THEORY & CRITICISM Samuel Beckett Today/Aujourd''hui Pub Date : 2019-10-24 DOI:10.1163/18757405-03102002

Hania A. M. Nashef

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引用次数: 0

摘要

在阿拉伯世界，贝克特的戏剧或其改编作品不仅受到观众和导演的欢迎，而且还启发了其他文学和媒体类型。贝克特式的等待本身已经成为阿拉伯人处境的代名词。这是一种等待，它提供了一种未实现的希望的潜力，这种希望与贝克特式的主人公日益渺茫的前景相呼应。在本文中，我讨论了在战争、移民和绝望的时代，贝克特的戏剧表演是如何丰富的。

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“Nothing is Left to Tell”

In the Arab world, Beckett’s plays or their adaptations have not only been popular with audiences and directors but have also inspired other literary and media genres. The Beckettian wait itself has become synonymous with the condition of the Arab person. It is a wait that offers an unrealized potential of hope that reverberates with the diminishing prospects of the Beckettian protagonist. In this paper, I discuss how in times of war, migrations, and despair, performances of Beckett’s plays abound.

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