ELIZA效应:皮格马利翁和人工智能的早期发展

IF 0.6 4区 文学 0 LITERATURE, BRITISH ISLES Shaw-The Journal of Bernard Shaw Studies Pub Date : 2020-05-29 DOI:10.5325/shaw.40.1.0050
Lawrence Switzky
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引用次数: 2

摘要

自20世纪70年代以来,科学家和心理学家已经描述了他们所谓的ELIZA效应:将智能归因于反应灵敏的计算机的倾向。ELIZA效应可以追溯到一个名为ELIZA的自然语言处理程序或聊天机器人,它是由麻省理工学院的约瑟夫·魏岑鲍姆在20世纪60年代中期创建的,魏岑鲍姆的灵感来自萧伯纳的戏剧《皮格马利翁》中的ELIZA Doolittle。本文考察了Shaw对ELIZA的影响,以及他对机器“思考”问题的预期参与,以及智能的起源和本质,这些问题将继续推动计算机科学的研究。它阐明了肖对维岑鲍姆和开创性的英国数学家和人工智能理论家艾伦·图灵的意义。它还提出了我们如何根据魏曾鲍姆和图灵在萧伯纳身上的发现,重新阅读萧伯纳的戏剧,尤其是《皮格马利翁》。
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ELIZA Effects: Pygmalion and the Early Development of Artificial Intelligence
abstract:Since the 1970s, scientists and psychologists have described what they call ELIZA effects: the tendency to attribute intelligence to responsive computers. ELIZA effects can be traced back to a natural language processing program or chatbot named ELIZA and created by Joseph Weizenbaum at MIT in the mid-1960s and to Weizenbaum's inspiration, Eliza Doolittle, in Bernard Shaw's play Pygmalion. This article examines Shaw's influence on ELIZA and his anticipatory engagement with questions about machine "thinking" and the origin and nature of intelligence that continue to drive research in computer science. It illuminates Shaw's significance for Weizenbaum and the pathbreaking English mathematician and theorist of artificial intelligence Alan Turing. It also proposes how we might reread Shaw's plays, and Pygmalion in particular, in light of what Weizenbaum and Turing found in Shaw.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
34
期刊最新文献
INTERNATIONAL SHAW SOCIETY Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals) Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”) "Whole Play Complete, Only Waiting to Be Filled Out": The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton Operatic Adaptations of Shaw's Plays The Devil's Disciple and The Music Cure
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