叙事的意义制造:纪录片犯罪学考察的延伸叙事分析

Charissa Weir
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摘要

在本文中,我展示了对叙事的理解和叙事分析的工具如何帮助犯罪学家解开媒体表现中使用的意义制造技术,包括关于监禁的纪录片。由于媒体有助于塑造公众对犯罪和刑事司法的看法,尽管不能决定公众对犯罪和刑事司法的看法,因此对犯罪学家来说,不仅要研究媒体内容(即所说的内容),还要研究媒体结构如何推进那些不言而喻的论点。叙事结构为记者提供了一种方式,以一种有说服力和情感吸引力的方式组织内容,并在故事中嵌入论点和解释,使它们看起来从事件本身自然而有逻辑地流动。通过对叙事结构的详细检查,犯罪学家可以更好地理解调解结构的论点和解释是如何传达的,并使其看起来合乎逻辑和有说服力。接下来,Labov的社会语言学叙事方法被用来说明叙事结构在论证中可以发挥的作用,在这种情况下,有助于分析两部加拿大调查纪录片,这两部纪录片讲述了一名女囚犯Ashley Smith受到广泛宣传的虐待和监禁死亡。
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Meaning-Making Through Narrative: Extending Narrative Analysis for Criminological Examination of Documentary Film
In this paper, I demonstrate how an understanding of narrative and the tools of narrative analysis can help criminologists unpack the techniques of meaning-making employed in media representations, including documentary films about imprisonment. Since media help to shape, though do not determine, public perceptions of crime and criminal justice, it is useful for criminologists to examine not just media content (i.e. what is said), but also how media constructions advance arguments that are presented as self-evidently true. Narrative structure offers one way for journalists to organize content in a persuasive and emotionally appealing manner and to embed arguments and interpretations within the story of what happened such that they appear to flow naturally and logically from the events themselves. Through a detailed examination of narrative structure, criminologists can better understand how the arguments and interpretations of mediated constructions are communicated and made to appear logical and persuasive. In what follows, Labov’s socio-linguistic narrative approach is adapted to illustrate the role that narrative structure can play in argumentation and, in this case, to facilitate analysis of two Canadian investigative documentaries about the widely publicized mistreatment and carceral death of a female prisoner, Ashley Smith.
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