凯撒·博尔吉亚在马基雅维利的《圣经》和《感官喷泉》之间

Q4 Arts and Humanities Montesquieu.it Pub Date : 2012-12-01 DOI:10.1400/203336
G. Scichilone
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引用次数: 0

摘要

在马基雅维利的著作中,只有三个部分出现了一个直白的表达:“tagliare a pezzi”。其中两个在《王子》中,第三个在《Discorsi》中。其中两个涉及古代的例子(希罗和克利亚库斯),另一个涉及现代的经历,即著名的暴力情节,切萨雷·波吉亚处决了他的副手里米罗,马基雅维利在切塞纳目睹了这一死刑。这篇文章试图展示所有马基雅维利的例子是如何以一种微妙的方式处理马基雅维利的主题观点-公民公国。从这个讨论开始,马基雅维利的文本和历史背景之间的调查(或旅程)开始,其中一些其他引人注目的问题被接近,例如凯撒·波吉亚在《Discorsi》中的缺席(如此耸人听闻以至于被忽视),马基雅维利和米开朗基罗之间的关系由一个“共和党”大卫联系起来,或者教皇利奥十世的形象,根据这篇文章,这将是“当今的某个王子,最好不要命名”,而不是,根据普遍的意见,天主教徒斐迪南。
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Tagliare a pezzi : Cesare Borgia tra rimandi biblicie fonte senofontea in Machiavelli
Only in three parts of Machiavelli’s writings occurs a stark expression: «tagliare a pezzi». Two of them are in The Prince, the third one in Discorsi. Two of them concern ancient examples (Hiero and Clearchus), the other one a modern experience, the famous and violent episode in which Cesare Borgia executes his lieutenant Rimirro, a capital punishment that Machiavelli watched in Cesena. The essay tries to show how all of Machiavelli’s examples deal in a subtle way with a topical Machiavelli’s view – civil principality. From this discussion, a survey (or journey) between Machiavelli’s text and historical context begins, where some other striking questions are approached, such as the absence of Cesare Borgia in Discorsi (so sensational as neglected), the relationship between Machiavelli and Michelangelo linked by a ‘republican’ David, or the figure of pope Leo X, that would be, according to this essay, that «certain prince of present times, whom it is best not to name», and not, according to the common opinion, Ferdinand the Catholic.
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Montesquieu.it
Montesquieu.it Arts and Humanities-History
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发文量
5
审稿时长
20 weeks
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