美国梦(导言)

Q2 Arts and Humanities Review of International American Studies Pub Date : 2021-12-19 DOI:10.31261/rias.12822
M. Mazurek, J. Battin
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引用次数: 0

摘要

尽管鲍德里亚关于探索美国风景(无论是真实的还是想象的)的最有效方法的建议来自他的后现代主义旅行日志,局限于这个名义上的国家,但对于任何对当代汽车文化感兴趣的人来说,可能很难不扩展鲍德里亚对驾驶体验的赞美,并从认知而不是运输的角度来看待它,不一定受到国界的限制。的确,美国的驾驶文化及其所有相关背景——其辉煌的历史,对社会流动性的贡献,其壮观的汽车,其神话,这样的例子不胜枚举——不仅是历史上最古老的,而且——考虑到它与美国人的生活方式、政治、社会分层和整体消费主义心态的关系——也是最极端的。从20世纪初亨利·福特(Henry Ford)的T型车席卷美国千家万户,到20世纪后十年埃隆·马斯克(Elon Musk)的特斯拉跑车(Tesla Roadster)进入太空,汽车塑造了美国人的视野,无论是个人还是集体,这是其他任何机器都无法比拟的。这篇介绍性的文章介绍了RIAS当前问题的概念,以及其特征文本背后的概念。
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Americar Dreams (An Introduction)
Even though Baudrillard’s catchy piece of advice as for the most effective method of exploring America’s landscapes (both real and imaginary) comes from his postmodernist travelogue limited to its titular country, it is probably difficult for anyone interested in contemporary car cultures not to extend Baudrillard’s praise of the driving experience and perceive it in cognitive rather than transportation terms, not necessarily bounded by national borders. True, American driving culture and all its related contexts—its remarkable history, its contribution to social mobility, its spectacular cars, its mythologies, the list goes on and on—is not only the oldest one historically, but—given its ties with American life-styles, politics, social stratification and the overall consumerist mindset—also the most extreme one. From Henry Ford’s Model T storming millions of American households at the beginning of the 20th century to Elon Musk’s Tesla Roadster shot into space in the second decade of the following one, cars have shaped American horizons, both private and collective, like no other machine. This introductory text presents the concept of the present issue of RIAS as well as the concepts underlying its feature texts.
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来源期刊
Review of International American Studies
Review of International American Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
0
审稿时长
50 weeks
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