女性为生命和自由重获话语权:音乐与2022年伊朗起义

IF 0.7 4区社会学 Q2 AREA STUDIES Iranian Studies Pub Date : 2023-07-01 DOI:10.1017/irn.2023.15

Nahid Siamdoust

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引用次数: 1

摘要

伊朗2022年“女性、生活、自由”运动最显著的特点之一，是在运动结束后创作的丰富多样的歌曲。音乐在伊朗的社会和政治运动中扮演了重要的角色，至少自宪法革命以来，诗人和音乐诗人Abolqasem Aref Qazvini(生于1934年)有效地将音乐会转变为政治集会。从那以后，音乐家们为伊朗现代史上所有有争议的运动赋予了节奏和韵律，最突出的是1979年的革命和2009年的绿色起义。考虑到音乐在伊朗政治运动中的重要作用，音乐方面的学术研究在伊朗研究中仍然处于令人惊讶的边缘。

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Women Reclaiming Their Voices for Life and Freedom: Music and the 2022 Uprising in Iran

One of the most prominent features of Iran's 2022 Woman, Life, Freedom uprising has been the diverse profusion of songs created in its wake. Music has played an important role in Iran's social and political movements at least since the Constitutional Revolution when the poet and musical bard Abolqasem Aref Qazvini (d. 1934) effectively transformed the musical concert into a political congregation. Since then, musicians have given rhythm and rhyme to contentious movements all through modern Iranian history, most prominently during the 1979 revolution and again for the 2009 Green Uprising. Considering the important role of music in Iran's political movements, scholarship on music remains surprisingly marginal in Iranian studies.

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来源期刊

Iranian Studies Multiple-

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期刊介绍： Iranian Studies is a peer-reviewed journal devoted to Iranian and Persian history, literature, and society, published on behalf of the Association for Iranian Studies . Its scope includes all areas of the world with a Persian or Iranian legacy, especially Iran, Afghanistan, Central Asia and the Caucasus, and northern India, and Iranians in the diaspora. It welcomes submissions in all disciplines.