{"title":"在卡里尔·菲利普斯的《剑桥》中重新找回过去","authors":"Attiye Hilal Şengenç","doi":"10.59045/nalans.2023.6","DOIUrl":null,"url":null,"abstract":"Black-Atlantic writer Caryl Phillips portrays slavery as an experience of trauma, an experience of death and survival leading to the suppression of and the demand for an assertion of Black identity. The protagonist Cambridge is liberated and resold into plantation slavery; so, his life is sealed by the Middle Passage which drifts him from the shores of Guinea to the Caribbean of the 19th century. His passage represents Africans’ never-ending trauma of slavery that continued even after the trade became illegal. As a survivor, he feels responsible for the Blacks. By exploring Shoshana Felman’s “the burden of the witness,” this paper reads Cambridge as a neo-archival retelling of the history of slavery.","PeriodicalId":36955,"journal":{"name":"Journal of Narrative and Language Studies","volume":"2192 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reclaiming the Past in Caryl Phillips s Cambridge\",\"authors\":\"Attiye Hilal Şengenç\",\"doi\":\"10.59045/nalans.2023.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Black-Atlantic writer Caryl Phillips portrays slavery as an experience of trauma, an experience of death and survival leading to the suppression of and the demand for an assertion of Black identity. The protagonist Cambridge is liberated and resold into plantation slavery; so, his life is sealed by the Middle Passage which drifts him from the shores of Guinea to the Caribbean of the 19th century. His passage represents Africans’ never-ending trauma of slavery that continued even after the trade became illegal. As a survivor, he feels responsible for the Blacks. By exploring Shoshana Felman’s “the burden of the witness,” this paper reads Cambridge as a neo-archival retelling of the history of slavery.\",\"PeriodicalId\":36955,\"journal\":{\"name\":\"Journal of Narrative and Language Studies\",\"volume\":\"2192 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Narrative and Language Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.59045/nalans.2023.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Narrative and Language Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.59045/nalans.2023.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
黑人大西洋作家卡里尔·菲利普斯(Caryl Phillips)将奴隶制描述为一种创伤的经历,一种死亡和生存的经历,导致了对黑人身份的压制和要求。主人公坎布里奇被解放,并被转卖为种植园奴隶;因此,他的一生被从几内亚海岸漂流到19世纪加勒比海的中间航道所封印。他的这段文字代表了非洲人对奴隶制的永不止息的创伤,即使在奴隶制成为非法贸易之后,这种创伤仍在继续。作为幸存者,他觉得对布莱克一家负有责任。通过探索肖莎娜·费尔曼(Shoshana Felman)的《证人的负担》(the burden of the witness),本文将剑桥解读为奴隶制历史的新档案重述。
Black-Atlantic writer Caryl Phillips portrays slavery as an experience of trauma, an experience of death and survival leading to the suppression of and the demand for an assertion of Black identity. The protagonist Cambridge is liberated and resold into plantation slavery; so, his life is sealed by the Middle Passage which drifts him from the shores of Guinea to the Caribbean of the 19th century. His passage represents Africans’ never-ending trauma of slavery that continued even after the trade became illegal. As a survivor, he feels responsible for the Blacks. By exploring Shoshana Felman’s “the burden of the witness,” this paper reads Cambridge as a neo-archival retelling of the history of slavery.