Collective transcendence beliefs shape the sacredness of objects: The case of art.

IF 6.4 1区 心理学 Q1 PSYCHOLOGY, SOCIAL Journal of personality and social psychology Pub Date : 2023-03-01 DOI:10.1037/pspa0000319
Siyin Chen, Rachel L Ruttan, Matthew Feinberg
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Abstract

Many objects are viewed as sacred even though few people have a strong personal connection to them. To explain this phenomenon, we used art as a case study to develop and test a theory wherein collective transcendence beliefs-beliefs that an object links the collective to something larger and more important than the self, spanning space and time-are a key determinant of the sacredness of objects. Initial inductive studies pointed to perceptions of collective spirituality, collective meaning, and historical significance to humanity as the primary collective transcendence beliefs underlying the sacredness of art (Study 1), and subsequent exploration indicated that collective meaning was a mechanism by which collective spirituality and historical significance to humanity influenced sacredness judgments (Study 2). In support of this, six experimental studies demonstrated that heightening the collective spirituality and historical significance of an artwork resulted in participants viewing the artwork as more collectively meaningful, and subsequently more sacred (Studies 3-6), worthy of protection from the profane (Studies 3c and 6), and eliciting moral outrage in the face of desecration (Study 5). In all, across these studies (N = 5,304), we found converging evidence that collective transcendence beliefs elevate various forms of art (sculpture, music, and painting) to be held as sacred, even an amateur sketch done by the first author. Our findings uncover a novel mechanism underlying sacredness judgments, theoretically advancing our understanding of the sacred while pointing to a number of important real-world implications. (PsycInfo Database Record (c) 2023 APA, all rights reserved).

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集体超越信仰塑造了物体的神圣性:以艺术为例。
许多物品被视为神圣的,尽管很少有人与它们有强烈的个人联系。为了解释这一现象,我们以艺术作为案例研究来发展和检验一种理论,其中集体超越信仰——相信一个物体将集体与比自我更大、更重要的东西联系起来,跨越空间和时间——是物体神圣性的关键决定因素。最初的归纳研究指出,集体灵性、集体意义和对人类的历史意义的感知是艺术神圣性背后的主要集体超越信仰(研究1),随后的探索表明,集体意义是集体灵性和对人类的历史意义影响神圣性判断的一种机制(研究2)。六项实验研究表明,提高艺术品的集体精神性和历史意义导致参与者认为艺术品更具集体意义,随后更神圣(研究3-6),值得保护免受亵渎(研究3c和6),并在面对亵渎时引发道德愤怒(研究5)。总的来说,在这些研究中(N = 5304),我们发现越来越多的证据表明,集体超越信仰将各种形式的艺术(雕塑、音乐和绘画)提升为神圣的,即使是由第一作者完成的业余素描。我们的发现揭示了神圣性判断背后的一种新机制,从理论上推进了我们对神圣的理解,同时指出了许多重要的现实世界含义。(PsycInfo数据库记录(c) 2023 APA,版权所有)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
12.70
自引率
3.90%
发文量
250
期刊介绍: Journal of personality and social psychology publishes original papers in all areas of personality and social psychology and emphasizes empirical reports, but may include specialized theoretical, methodological, and review papers.Journal of personality and social psychology is divided into three independently edited sections. Attitudes and Social Cognition addresses all aspects of psychology (e.g., attitudes, cognition, emotion, motivation) that take place in significant micro- and macrolevel social contexts.
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