The Study on the Identity of Contemporary Indian Film Music Portrayed by Lata Mangeshkar’s Singing: Focused on Analysis of Ornamentation Used in “Luka Chuppi”
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引用次数: 0
Abstract
Lata Mangeshkar has a unrivaled position in numerous works and musical influence within the Indian film and music industry. Overseas researches that have studied her voice have been discussing femininity mainly in terms of slender tone and high-pitched tone. However, her unique tone technique that moves the compositional melody from left to right and up and down from her voice timbre itself and the vocal style that reproduces the melody based on above things which are distinctive feature in the style of Indian music that has been highly westernized. The purpose of this study is to analyze the musical ornamentation, gamaka, which is the key element that contemporary Indian music becomes more like western popular music. And I would like to point out this as an example and a countermeasure.
Lata Mangeshkar在印度电影和音乐行业的众多作品和音乐影响中具有无与伦比的地位。国外对她嗓音的研究主要从细音和高音两方面来探讨女性气质。然而，她独特的音色技巧使谱曲的旋律从左到右，从上到下，从她的音色本身以及基于上述内容再现旋律的声乐风格中移动，这是印度音乐风格的显著特征，已经高度西化。本研究的目的是分析音乐装饰，gamaka，这是当代印度音乐变得更像西方流行音乐的关键因素。我想指出这是一个例子和对策。
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