Dystopia: Queer Sex and the Unbearable in Grasshopper Jungle

Derritt Mason
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Abstract

This chapter draws on Andrew Smith’s 2014 novel Grasshopper Jungle to explore the representation of queerness as a locus of dystopian adolescent experiences and, by hyperbolic extension, the cause of the apocalypse. Smith’s novel satirically amplifies the idea that adolescence is itself a kind of dystopia, and simultaneously points to how queer sex is a kind of darkness—or invisibility—often “experienced as unbearable,” in Lauren Berlant and Lee Edelman’s words, by critics of queer young adult literature. Austin, Grasshopper Jungle’s history-obsessed narrator, records in astonishing detail the world’s destruction by mutant bugs, yet Austin’s moment of sexual intimacy with his male best friend remains a striking silence in his otherwise scrupulous account. This chapter concludes that Grasshopper Jungle’s excessive rendering of YA’s storm, stress, darkness, and violence ironically makes visible the novel’s unwillingness to confront the unbearability associated with queer sex.
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反乌托邦:《蚱蜢丛林》中的同性恋性与无法忍受
本章借鉴安德鲁·史密斯(Andrew Smith) 2014年的小说《蚱蜢丛林》(Grasshopper Jungle),探讨酷儿身份作为反乌托邦式青少年经历的中心,并通过夸张的延伸,成为世界末日的原因。史密斯的小说讽刺地放大了青春期本身就是一种反乌托邦的观点,同时指出酷儿性行为是一种黑暗或隐形,用劳伦·伯兰特(Lauren Berlant)和李·埃德尔曼(Lee Edelman)的话来说,经常被酷儿青年文学评论家“体验为无法忍受”。奥斯汀是《蚱蜢丛林》中痴迷于历史的叙述者,他以惊人的细节记录了突变虫对世界的破坏,然而奥斯汀与他最好的男性朋友发生性关系的时刻,在他严谨的叙述中却保持了惊人的沉默。这一章的结论是,《蚱蜢丛林》对青春小说的暴风雨、压力、黑暗和暴力的过度渲染,讽刺地暴露了小说不愿面对与酷儿性有关的难以忍受的问题。
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Dystopia: Queer Sex and the Unbearable in Grasshopper Jungle Horror and Camp: Visibility: Growing Sideways in I’ll Get There. It Better Be Worth the Trip.1 Notes on an Anxious Genre: Queer Young Adult Literature and Culture CONCLUSION
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