God’s Comics

S. Handelman
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Abstract

This chapter probes the Jewish visual imagination of the sacred through a discussion of the Hebrew alphabet as “graphic narrative.” Exploring how the relation of text and image becomes deconstructed and redefined in classical rabbinic writings on the Hebrew alphabet and the forms of the letters, this chapter opens a reciprocal dialogue between “comics” and “Torah,” and between theories of graphic narrative and rabbinic interpretation. What might a “theology of graphic narrative” look like? The ultimate source of creative pleasure in all of us—artists and academics, rabbis and readers, parents and children—is that we ourselves, finally, are the letters and the letters are us. We are “God’s comics..
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本章通过讨论希伯来字母作为“图形叙事”来探讨犹太人对神圣的视觉想象。探索文本和图像的关系如何在希伯来字母和字母形式的经典拉比著作中被解构和重新定义,本章开启了“漫画”和“托拉”之间的相互对话,以及图形叙事理论和拉比解释之间的对话。“图形叙事的神学”会是什么样子?我们所有人——艺术家和学者,拉比和读者,父母和孩子——创造乐趣的最终来源是我们自己,最终,我们就是字母,字母就是我们。我们是“上帝的漫画……”
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