Semiotic Analysis of the Movie Kadaseela Biriyani (2021)

S. K
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Abstract

This work is a semiotic analysis of the 2021 film Kadaseela Biriyani using Saussure’s binomial theory. The ultimate goal of the blackcomedy genre is to instill the ultimate feeling of deep terror in the viewer. This study focuses on mise-en-scenes, composition, lighting, costumes, props, and all other objects in the frame so they can be meaningful to the audience. · Build visualizations with layers of fleeting metaphors in the scene. No matter how deep the verbal information is, the characters, plots, symbols, and all visual presentations within the frame play an important role and enhance the narrative. This study uses qualitative analysis techniques. Research is done by analyzing signifiers, and signifiers are interpreted using staging elements. The conclusion shows the new camera angles introduced to express the character’s emotions in the situation. Similar colors were used for both positive and negative aspects.
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电影《Kadaseela Biriyani》(2021)符号学分析
本作品运用索绪尔的二项式理论对2021年的电影《卡达西拉·比里亚尼》进行符号学分析。黑色喜剧类型的最终目标是向观众灌输一种深深的恐怖的终极感觉。本研究的重点是场景布置、构图、灯光、服装、道具和框架中的所有其他对象,以便它们对观众有意义。·用场景中转瞬即逝的隐喻层构建可视化。无论语言信息有多深,框架内的人物、情节、符号以及所有的视觉呈现都起着重要的作用,增强了叙事。本研究采用定性分析技术。研究是通过分析能指来完成的,能指是用分期元素来解释的。结论部分展示了为了表达角色在情境中的情感而引入的新镜头角度。积极面和消极面都使用了相似的颜色。
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