Plato's Treatment of Callicles in the ‘Gorgias’

G. Kerferd
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引用次数: 6

Abstract

Three main views have been put forward as attempts to answer the question what were the political affiliations of Callicles in Plato's Gorgias. According to one view Callicles is seen as the very archetype of the tyrant and the oligarch, a man prepared to indulge in himself an unbridled lust for power, the absolute antithesis of the democrat and all that democracy stands for, giving expression to a doctrine, in the words of Grote, ‘not simply anti-popular – not simply despotic – but the drunken extravagance of despotism’. This view was associated with repeated attempts to identify Callicles with one or other of the known oligarchs in the fifth century – Critias being the favourite. Such attempts are now generally abandoned. But the overall view of Callicles' doctrine probably remains the orthodox one, at least in the English-speaking world, and the comparison with Nietzsche and Carlyle has become commonplace. According to a second view, however, the opposite is the case – Callicles was not aristocratic, oligarchic or tyrannical in his views, rather he was a democrat, indeed even ‘the typical Athenian democrat’. Finally it is possible to distinguish a third view, according to which initially Callicles is presented as a champion of absolutism but is shown as undergoing ‘a strange transformation’ in the course of the dialogue to a position more in accord with ‘the growing love of equality’.
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柏拉图在《高尔吉亚篇》中对卡利克勒斯的论述
在柏拉图的《高尔吉亚》中,卡利克勒斯的政治立场是什么,人们提出了三种主要观点,试图回答这个问题。有一种观点认为卡利克勒斯是暴君和寡头的典型,他恣意追求权力,是民主和民主所代表的一切的绝对对立面,用格罗特的话来说,他表达了一种信条,"不仅仅是反人民,不仅仅是专制,而是专制的醉态奢侈"这种观点与反复尝试将卡利克勒斯与五世纪已知的寡头政治中的一个或另一个联系在一起——克里提阿斯是最受欢迎的。这种尝试现在普遍被放弃了。但卡利克勒学说的总体观点可能仍然是正统的,至少在英语世界,与尼采和卡莱尔的比较已经变得司空见惯。然而,根据第二种观点,情况正好相反——卡利克勒斯在他的观点中不是贵族、寡头或暴君,而是一个民主主义者,甚至是“典型的雅典民主主义者”。最后,我们可以区分出第三种观点,根据这种观点,卡利克勒斯最初是作为绝对主义的拥护者出现的,但在对话的过程中,他被表现为经历了“一种奇怪的转变”,更符合“对平等的日益热爱”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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First Meeting Second Meeting CCJ volume 23 Cover and Back matter Second Meeting The Politiques de l'amitié: Derrida's Greeks and a national politics of classical scholarship*
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