Focusing on Arts Education from the Perspectives of Well-Being

E. Vītols, Anda Zīsberga
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Abstract

The place of well-being has been the focus of arts pedagogy and research and practice of lifelong learning for some time. This is because arts education itself is seen as a challenge today, as it is included in performance-oriented curricula. They are based on the contradiction between organizing and maintaining high-quality learning experiences and achievements through a well-being perspective. Within the framework of this research, one of the sub-branches of art pedagogy – dance pedagogy – has been studied. Dance pedagogy has been chosen because, firstly, it still has implications of authoritarian pedagogy in its particular cultural environment, and secondly, dance pedagogy as a component of quality of life and healthy ageing in the context of lifelong learning is beginning to significantly strengthen its place. The purpose of this publication is to identify the components of well-being formation in an adult dance class from the teacher’s point of view. This choice of focus was determined by the results of the previous research stage, where one of the criteria of well-being was identified in the dancers’ interviews: the personality and professional mastery of the teacher, as well as the still current idea that the vital aspect of art pedagogy is how the teacher conceptualizes the pedagogical process. The respondents were selected during the nomination process, i.e., the candidates were nominated by the dancers and industry professionals themselves. Data were analysed using the qualitative data processing program NVivo 12.0. As a result, the dance teachers’ vision of the pedagogical process was identified, which promotes the dancer’s well-being, where the following criteria are established as an essential part of the pedagogical process: the student’s personality understanding, involvement and preparedness, and psychological knowledge. The results of this research will serve as a basis for the creation of a professional development program for art teachers.
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从幸福的角度关注艺术教育
一段时间以来,幸福的场所一直是艺术教育学和终身学习研究与实践的焦点。这是因为艺术教育本身在今天被视为一种挑战,因为它被纳入了以表现为导向的课程。它们基于从幸福的角度组织和维持高质量的学习经验和成就之间的矛盾。在本研究的框架内,对艺术教育学的一个分支——舞蹈教育学进行了研究。选择舞蹈教学法是因为,首先,它在其特定的文化环境中仍然具有专制教学法的影响,其次,舞蹈教学法作为终身学习背景下生活质量和健康老龄化的组成部分,其地位开始显著加强。本出版物的目的是从教师的角度来确定成人舞蹈课中幸福形成的组成部分。这种重点的选择是由之前的研究阶段的结果决定的,在舞者的采访中确定了幸福的标准之一:教师的个性和专业掌握,以及仍然流行的观点,即艺术教育学的重要方面是教师如何将教学过程概念化。受访者是在提名过程中选出的,即候选人由舞者和业内人士自己提名。采用定性数据处理程序NVivo 12.0对数据进行分析。因此,舞蹈教师对教学过程的看法被确定,这促进了舞者的福祉,其中以下标准被确立为教学过程的重要组成部分:学生的个性理解,参与和准备,以及心理知识。本研究的结果将作为美术教师专业发展计划的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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