REGISTERIAL VARIATION IN HIP-HOP

N. Ezenwa-ohaeto, Adaorah S. Nweke
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Abstract

Language functions as a means of communication and socialization. These tenets of language are very vital in the Nigerian Informal Business Sector. One aspect of the Informal Sector that is examined by this paper is Hip-hop (a subset of the Creative Industry). Register is a set of linguistic items associated with discrete, occupational and social groups. This paper looked at Nigerian Hip-hop songs (as a social group) and its informal language. Nigerian Hip-hop (a subset of the creative industry) in the last few years has started piling up register for itself and these registerial variations have taken the Nigerian Informal Business Sector to its next level. This paper examines the registerial variation of Nigerian Hip-hop. It employed the Beiber and Conrad (2009) model, a more recent and comprehensive registerial framework which is descriptive in its outlook. Three Hip-hop artistes with two songs each from the southern region of the country (SE, SW, and SS) were used to determine indexation of these registerial variations in their song. At the end, a register of Nigerian Hip-hop as an index of language use in Nigerian Informal Business Sector was drawn with the aim of identifying that there is a lect from the Nigerian Hip-hop and prospect of this variety in wider communication
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嘻哈音乐的变体
语言的功能是交际和社会化的手段。这些语言原则在尼日利亚的非正式商业部门非常重要。本文研究的非正式部门的一个方面是嘻哈(创意产业的一个子集)。语域是与离散的、职业的和社会的群体相关的一组语言词汇。本文着眼于尼日利亚嘻哈歌曲(作为一个社会群体)及其非正式语言。尼日利亚嘻哈(创意产业的一个子集)在过去的几年里已经开始为自己堆积注册,这些注册的变化已经把尼日利亚的非正式商业部门带到一个新的水平。本文考察了尼日利亚Hip-hop的注册变体。它采用了比伯和康拉德(2009)模型,这是一个最近和全面的注册框架,在其前景中是描述性的。来自该国南部地区(SE, SW和SS)的三位嘻哈艺术家各有两首歌曲,用于确定他们歌曲中这些注册变化的索引。最后,绘制了尼日利亚嘻哈语的语谱,作为尼日利亚非正式商业部门语言使用的索引,目的是确定尼日利亚嘻哈语的选段,以及这种嘻哈语在更广泛交流中的前景
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