Katie Get Your Gun: Frolicking through the Wild Wild West in Bard on the Beach’s The Taming of the Shrew

M. Beales
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引用次数: 1

Abstract

Meredith Beales reviews the Bard on the Beach production of The Taming of the Shrew, now relocated to the gun-toting West. This choice makes for an interesting rereading of the Katherine character, made even more sympathetic by her mistreatment at the hands of local townsfolk. The specificity with which the comedy Western world informs the eventual transformation of Katherine, and her surprisingly successful revenge against those who seemingly spent years bullying her, adds its own topicality to this uncomfortably nuanced play. A “satire of sexism” or “simply a straight-up sexist play”? Beales finds this Canadian production’s creative choices unusually informative, albeit within the confines of an ultimately troubling drama.
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凯蒂拿起你的枪:在《海滩上的诗人》的《驯悍记》中,在狂野的西部嬉戏
梅雷迪思·比尔斯评论了《驯悍记》在海滩上的制作,现在搬到了持枪的西部。这一选择使得人们对凯瑟琳这个角色进行了有趣的重读,她在当地居民手中受到的虐待使人们更加同情她。西方喜剧世界对凯瑟琳最终转变的特殊性,以及她对那些似乎欺负了她多年的人出人意料的成功报复,为这部令人不安的微妙戏剧增添了自己的话题性。是“对性别歧视的讽刺”还是“纯粹的性别歧视剧”?比尔斯发现这部加拿大制作的创意选择非常丰富,尽管它最终是一部令人不安的戏剧。
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