THE COMPLEX AND CONTRADICTORY NATURE OF WOMEN CHARACTERS IN SHAKESPEARE'S GREAT TRAGEDIES

Татјана А. Думитрашковић
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Abstract

During Shakespeare's age women had very little authority, autonomy and recognition. They acquired status based on the position of their father or husband. They were expected to be silent observers. In these circumstances, Shakespeare created beautiful and unforgettable female characters who show great intelligence, vitality and a strong sense of personal independence, but also act as a mirror of his age. These qualities have led some critics to regard Shakespeare as an innovator who abandoned established characterizations and stereotypical ways of portraying women in the literary works of his age. Other critics suggest that Shakespeare was not free from the misogynistic tendencies that were present in the culture of the age in which he lived. Women are not main characters in Shakespeare`s plays but they play important roles in which it can clearly been seen what and how much the society and time in which they lived influenced them. The paper will focus on Shakespeare`s three great tragedies Hamlet, Macbeth and King Lear. A close examination of the role of women in these tragedies reveals that, despite the social control placed upon them these women often reveal a strength that go beyond anything that can be expected.
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莎翁大悲剧中女性角色的复杂与矛盾
在莎士比亚的时代,女性几乎没有权威、自主权和知名度。她们根据父亲或丈夫的地位获得地位。他们应该是沉默的旁观者。在这种情况下,莎士比亚创造了美丽而令人难忘的女性角色,她们表现出极大的智慧、活力和强烈的个人独立意识,同时也是他那个时代的一面镜子。这些特质使得一些评论家认为莎士比亚是一位革新者,他抛弃了他那个时代文学作品中对女性的既定刻画和刻板印象。其他评论家认为,莎士比亚并没有摆脱他所生活的时代文化中存在的厌女倾向。在莎士比亚的戏剧中,女性不是主要人物,但她们扮演着重要的角色,可以清楚地看到她们所生活的社会和时代对她们的影响。本文将集中讨论莎士比亚的三大悲剧《哈姆雷特》、《麦克白》和《李尔王》。仔细研究女性在这些悲剧中的角色就会发现,尽管社会对她们施加了控制,但这些女性往往表现出一种超出任何预期的力量。
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