Brought to Ruin

Sarah C. Schaefer
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Abstract

Chapter 3 examines the impact of biblical archaeology on the production and reception of the Doré Bible, arguing that the recuperations of historical fragments are consistent with broader societal anxieties. Questions surrounding the Bible’s historical credibility (propelled by Enlightenment rationalism) prompted new, ostensibly scientific investigations of biblical sources and sites. Archaeological excavations in the Middle East and North Africa revealed fragments of ancient pasts that engendered new approaches to the representation of biblical subjects. These fragments, the often problematic manner in which they were appropriated into Doré’s illustrations, and the popular reception of the images reveal a distinct anxiety about the narratives of biblical civilizations and what they presage about the present and future. The illustrations speak to the circumstances of French interests and the status of the nation in an era wrought by repeated revolutions that seemed as potentially catastrophic as the events of the Bible.
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毁灭
第三章考察了圣经考古学对《圣经》的生产和接受的影响,认为对历史碎片的恢复与更广泛的社会焦虑是一致的。围绕《圣经》历史可信度的质疑(由启蒙理性主义推动)促使人们对《圣经》的来源和地点进行新的、表面上是科学的调查。中东和北非的考古发掘揭示了古代历史的碎片,产生了圣经主题表现的新方法。这些片段,通常是有问题的方式,它们被挪用到dor的插图中,以及对这些图像的普遍接受,揭示了一种对圣经文明叙事的明显焦虑,以及它们对现在和未来的预言。这些插图说明了法国的利益环境,以及这个国家在一个反复发生革命的时代的地位,这些革命似乎像圣经中的事件一样具有潜在的灾难性。
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