The Other Door to the Sanctuary

Brooke Shilling
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Abstract

Beginning in the sixth century, theophanies of Christ conveyed by a mandorla of light or cloud rendered the apse conch as a point of entry for the divine in the church. At the same time, alternative pictorial devices were developed to convey the presence of the Virgin Mary in the church and sanctuary, while drawing greater attention to the apse conch as a threshold to be crossed. This chapter explores the form and function of these motifs in two early Byzantine apse mosaics on the island of Cyprus, in the churches of the Panagia Angeloktistos at Kiti and the Panagia tes Kyras at Livadia.
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圣所的另一扇门
从六世纪开始,通过光或云的曼多拉传达的基督的神显使后殿的海螺成为进入教堂的神圣之处。与此同时,设计人员还设计了另一种图案装置,以传达圣母玛利亚在教堂和圣所中的存在,同时将更多的注意力吸引到后殿的海螺上,作为人们要跨越的门槛。本章探讨了塞浦路斯岛上两个早期拜占庭后殿马赛克图案的形式和功能,分别是基蒂的Panagia Angeloktistos教堂和利瓦迪亚的Panagia tes Kyras教堂。
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