From Stage to Online: Reinvention of Cantonese Opera

Zeng Ming
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Abstract

Cantonese Opera has a history of more than 500 years. In recent decades, Cantonese Opera is seldom performed on the stage, but more appearing on TV, in movies, and on the Internet. Owing to the development of information technology, Cantonese Opera was reborn on the Internet, enriching its content and enlarging its influence. Using the Netnography method, the process from the decline of Cantonese Opera on the stage to the revival on the Internet was investigated. A series of data and cases were collected from Blibli and Youtube, and other main Internet platforms in China and the US. The findings showed that the forms of Cantonese Opera have become richer, and its content is not limited to the performance but extended to opera actors through vlogs and online apps and by sharing Cantonese singing skills. The characteristics of Cantonese Opera on the Internet were summarized and compared to those on the stages. The result showed that Cantonese Opera on the Internet has more room to extend its influence and attract young people to enjoy the traditional culture. With the 5G technology, artificial intelligence technology, and 3D technology, Cantonese Opera become to have a bigger opportunity to transmit to new platforms.
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从舞台到网络:粤剧的再创作
粤剧已有500多年的历史。近几十年来,粤剧很少出现在舞台上,而是更多地出现在电视、电影和互联网上。由于信息技术的发展,粤剧在互联网上重生,丰富了其内容,扩大了其影响力。运用网络学的方法,考察了粤剧从舞台上的衰落到网络上的复兴的过程。从Blibli和Youtube等中美两国主要互联网平台上收集了一系列数据和案例。调查结果表明,粤剧的形式变得更加丰富,其内容也不再局限于表演,而是通过视频博客和在线应用以及分享粤语演唱技巧,扩展到歌剧演员身上。总结了网络粤剧的特点,并与舞台粤剧进行了对比。结果表明,粤剧在互联网上有更大的空间来扩大其影响力,吸引年轻人享受传统文化。随着5G技术、人工智能技术和3D技术的发展,粤剧将有更大的机会传播到新的平台。
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