{"title":"“You Made Me Love You”","authors":"Michael G. Garber","doi":"10.14325/mississippi/9781496834294.003.0011","DOIUrl":null,"url":null,"abstract":"“You Made Me Love You” (1913) became indelibly associated with three performers. Clarified is its chronology in Al Jolson’s repertoire and his influence on how it was performed and printed. In 1937, it launched Judy Garland’s fame, with an introduction addressed to “Dear Mr. Gable” that made the song about the relationship of performer and audience. This manifests in its use in films (Love Me or Leave Me; Xanadu) and the work of performance artist David Hoyle. In 1941, it boosted trumpeter Harry James to stardom. Through reception studies, the song’s place in individual lives is explored, illuminating a novel by Joanna Goodman and autobiography of Shirley Cunningham. The work’s elements are analyzed, emphasizing their ambiguous depiction of mixed emotions, sexual desire, and humor. Fleshed out is the song’s place in the careers of composer Jimmy Monaco and lyricist Joseph McCarthy – and in the development of chansons-realiste and torch songs.","PeriodicalId":247541,"journal":{"name":"My Melancholy Baby","volume":"69 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"My Melancholy Baby","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496834294.003.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“You Made Me Love You” (1913) became indelibly associated with three performers. Clarified is its chronology in Al Jolson’s repertoire and his influence on how it was performed and printed. In 1937, it launched Judy Garland’s fame, with an introduction addressed to “Dear Mr. Gable” that made the song about the relationship of performer and audience. This manifests in its use in films (Love Me or Leave Me; Xanadu) and the work of performance artist David Hoyle. In 1941, it boosted trumpeter Harry James to stardom. Through reception studies, the song’s place in individual lives is explored, illuminating a novel by Joanna Goodman and autobiography of Shirley Cunningham. The work’s elements are analyzed, emphasizing their ambiguous depiction of mixed emotions, sexual desire, and humor. Fleshed out is the song’s place in the careers of composer Jimmy Monaco and lyricist Joseph McCarthy – and in the development of chansons-realiste and torch songs.
《你让我爱上你》(1913)与三位表演者不可磨灭地联系在一起。澄清的是它在Al Jolson的曲目中的年表,以及他对它如何表演和印刷的影响。1937年,这首歌为《亲爱的盖博先生》(Dear Mr. Gable)做了介绍,使朱迪·加兰(Judy Garland)声名鹊起,这首歌讲述了表演者和观众之间的关系。这体现在它在电影中的使用(爱我或离开我;世外桃源)和行为艺术家大卫·霍伊尔的作品。1941年,它使号手哈里·詹姆斯成为明星。通过接受研究,探索了这首歌在个人生活中的地位,为乔安娜·古德曼的小说和雪莉·坎宁安的自传提供了启发。分析了作品的元素,强调了对混合情感、性欲和幽默的模糊描述。这首歌在作曲家吉米·莫纳科和作词人约瑟夫·麦卡锡的职业生涯中,以及在现实主义香松和火炬歌曲发展中的地位,都得到了充实。