Reproduction of South-East Asian cultural artefacts: A case of the Mah Meri

Cheok Heng Pang, H. Thwaites, Muhammad Asyraf Mhd Pauzi, C. Khong, F. Noor, Muhammad Adhwa' M. D. H. Zainalee
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引用次数: 3

Abstract

Priceless cultural heritage artefacts are gradually being lost due to negligence or the natural processes of deterioration and decay. As a modern means of preservation, three dimensional (3D) scanned replicas of cultural heritage artefacts are often reconstructed for research or for viewing by the public while the original is properly stored and curated. This paper describes the reproduction processes involved using a colour scanner and a colour 3D printer. The subject matter is based on the moribund cultural heritage of the Mah Meri tribe where its artefacts were fully scanned in 3D. The digitisation of its form, colour and texture followed by the physical reproduction of the Mah Meri heritage is the first of such activity in the nation.
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东南亚文化文物的再生产:以Mah Meri为例
无价的文化遗产正因疏忽或自然的变质和腐烂过程而逐渐丢失。作为一种现代保存手段,文物的三维扫描复制品经常被重建以供研究或供公众观看,而原件则被妥善保存和策展。本文描述了使用彩色扫描仪和彩色3D打印机的复制过程。主题是基于Mah Meri部落垂死的文化遗产,其人工制品在3D中被完全扫描。将其形状、颜色和纹理数字化,然后对玛梅里遗产进行实物复制,这是该国首次开展此类活动。
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