Not Yet Uhuru: Aspects of Social Realism in Vonani Bila’s Selected Poetry

Moffat Sebola, Olufemi J. Abodunrin
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引用次数: 1

Abstract

This article analyses Vonani Bila’s selected poetry for its ability to produce an ‘air of reality’. The central argument of the article is that Bila embraces an aesthetic of realism, which essentially values unsparing, accurate and sordid representations of the psychological, social and material realities of postcolonial (and democratic) South Africa. Undergirded by the Marxist theory of Social Realism, the qualitative approach and descriptive design, this article purposively selected ten poems from some of the anthologies in which Bila published his poetry, namely; Magicstan Fires, Handsome Jita and Sweep of the Violin. Bila’s poetry can best be situated within the historical contexts that shape his texts, namely; the apartheid era, ideas about capitalism in newly democratic South Africa, the emergence of a vibrant immigrant community in South Africa and idealised notions of achieving equality and prosperity through education in South Africa. This article is mainly a critical analysis, and not a historical account of the apartheid era and democratic dispensation of South Africa. In the analysis, it was noted that Bila’s poetry generally manifests the literary categories of social and psychological realism, respectively. As a social realist, Bila explores the problems of economic inequality and captures the experience of both rural and urban life in a post- and neo-colonial context of South Africa. As a psychological realist, on the other extreme, Bila is concerned with delving beneath the surface of social life to probe the complex motivations and (un)conscious desires that shape his literary personae’s perceptions. The article concludes with the notion that, in his commitment to document the realities of everyday life in South Africa, both at social and psychological dimensions, Bila offers a penetrating insight into the repression, alienation, marginalisation, instabilities, and inequalities that structure post- and neo-colonial South Africa.
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尚未乌呼鲁:沃纳尼·比拉诗歌选集中的社会现实主义方面
本文分析了沃纳尼·比拉所选诗歌的“现实气息”。文章的中心论点是,Bila信奉现实主义美学,这种美学本质上重视对后殖民(和民主)南非的心理、社会和物质现实毫不留情、准确而肮脏的表现。本文以马克思主义社会现实主义理论为基础,采用定性方法和描述性设计,有目的地从比拉的诗歌选集中选取了十首诗,分别是;《魔法之火》《英俊的吉塔》《横扫小提琴》比拉的诗歌最好被置于塑造他的文本的历史背景中,即;种族隔离时代,新兴民主的南非对资本主义的看法,南非一个充满活力的移民社区的出现,以及通过教育在南非实现平等和繁荣的理想化观念。这篇文章主要是一个批判性的分析,而不是对南非种族隔离时代和民主制度的历史叙述。分析发现,比拉诗歌总体上分别体现了社会现实主义和心理现实主义的文学范畴。作为一名社会现实主义者,Bila探索了经济不平等的问题,并捕捉了南非后殖民和新殖民背景下农村和城市生活的经历。作为一个心理现实主义者,在另一个极端,比拉关注深入社会生活的表面之下,探索塑造他的文学人物感知的复杂动机和(无意识的)欲望。文章的结论是,Bila致力于记录南非日常生活的现实,包括社会和心理层面,他对后殖民和新殖民时期南非的压迫、异化、边缘化、不稳定和不平等现象提供了深刻的见解。
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