Sincerity’s Champions

Leonard Diepeveen
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Abstract

This chapter looks at the different ways in which intent functions in aesthetic creation and experience, what counted as signs of sincere intent in the early twentieth century, and what aspects of modernism threatened the effortless functioning of such signs. It argues that in the early twentieth century the signs of sincere intent were under contention, as they always are at moments of cultural change and ideological contestation. In any new aesthetic movement or cultural context, one which appears to break with the past rather than just modulate it, the signs of sincere intent—because they are contextually and socially understood and negotiated—have to be renegotiated. Radically new works, works that are most in violation of the time’s default aesthetic, will present unclear signs of intent, clouding their sincerity.
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真诚的冠军
本章着眼于意图在美学创造和经验中发挥作用的不同方式,在20世纪早期,什么被视为真诚意图的标志,以及现代主义的哪些方面威胁到这些标志的轻松功能。它认为,在20世纪早期,真诚意图的标志受到了争论,就像在文化变革和意识形态争论的时刻一样。在任何新的美学运动或文化背景中,人们似乎与过去决裂,而不仅仅是调整过去,真诚意图的标志——因为它们在语境和社会上被理解和协商——必须重新协商。全新的作品,最违反时代默认审美的作品,将呈现出不明确的意图,使其诚意蒙上阴影。
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Sincerity’s Champions Modern Parody Rereading the Shameless Puffery of Modern Charlatans Default Settings Intent in Practice
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