Chapter 8: Scale and Speculative Futures in Russell Hoban’s Riddley Walker and Kim Stanley Robinson’s 2312

M. Hannah, S. Mayer
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Abstract

Any fictional text can be regarded as speculative—in the sense that all fiction invents alternative realities and thus engages with questions of how we understand our present worlds and ourselves, our knowledge of the past, and our con-ceptualizations of the future. As readers we enjoy the “cognitive provisionality” fictional texts provide us with, the opportunity to suspend disbelief, engage in “imaginative play” (Gallagher 2006: 347), and speculate about the (im)probable, the (im)possible, the (un)desirable of proposed realities. Some genres, however, have lent themselves particularly well to speculation about possible futures. Whether labeled “utopia,” fiction,” “speculative fiction,” or alyptic fiction,” future-oriented fictional texts all engage in the imagination of possible future worlds, thereby responding to the political, social, economic, or cultural challenges of the times in which they are written. In some way or another, these genres all share the qualities that Fitting (2010) regards as characteristic for modern science fiction. They represent “a response to the effects of the scientific transformation of the world beginning around the end of the eighteenth century: in the European awareness of history and the future, and in the increasing impact of the scientific method and of technological change on people’s lives” 1 This essay two novels that create speculative future worlds as re sponses to the economic, scientific, and technological challenges that marked the times of their writing: Robinson’s 2312 . Each of these novels very differently to terrors and delights of technological modernity” science fiction By explaining processes and out comes of re-scaling, we shed light on the local, temporal, and social settings from which the novels’ respective plots unfold. We compare scale-related strategies in the two novels, including failed attempts at scale-jumping in Riddley Walker and key instances of successful scale-jumping in 2312 . Our analysis focuses on the desperate and misguided mimetic attempts in Riddley Walker to regain access to atomic and molecular knowledge that promises to reopen access to distant parts of the planet, and on the plan to save Earth in 2312 by making use of the opportunities of an expanded scale system.
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第八章:罗素·霍本的《里德利·沃克》和金·斯坦利·罗宾逊的《2312》中的规模和投机期货
任何虚构的文本都可以被认为是推测性的——从某种意义上说,所有的小说都发明了另一种现实,从而涉及到我们如何理解我们现在的世界和我们自己,我们对过去的认识,以及我们对未来的概念。作为读者,我们享受小说文本提供给我们的“认知暂时性”,让我们有机会暂停怀疑,参与“想象游戏”(Gallagher 2006: 347),并推测(不)可能的(不)可能的,(不)理想的现实。然而,有些类型的电影特别适合推测未来的可能性。无论是被贴上“乌托邦”、“虚构”、“投机小说”还是“启示录小说”的标签,面向未来的小说文本都参与了对可能的未来世界的想象,从而回应了它们所写时代的政治、社会、经济或文化挑战。在某种程度上,这些类型都具有fit(2010)所认为的现代科幻小说的特征。它们代表了“对18世纪末开始的科学变革对世界的影响的回应:在欧洲人对历史和未来的意识中,在科学方法和技术变革对人们生活的日益增长的影响中。”这篇文章中的两部小说创造了思辨的未来世界,作为对经济、科学和技术挑战的回应,这些挑战标志着他们的写作时代:罗宾逊的2312。这些小说中的每一部都与技术现代性的恐怖和快乐非常不同。通过解释重新缩放的过程和结果,我们揭示了小说各自情节展开的地方、时间和社会背景。我们比较了两部小说中与音阶相关的策略,包括《里德利·沃克》中失败的音阶跳跃尝试和《2312》中成功的音阶跳跃的关键实例。我们的分析集中在《里德利·沃克》中绝望而误入歧途的模仿者试图重新获得原子和分子知识,从而重新打开通往地球遥远地区的大门,以及2312年利用扩大规模系统的机会拯救地球的计划。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Chapter 4: Lagging Realities Chapter 8: Scale and Speculative Futures in Russell Hoban’s Riddley Walker and Kim Stanley Robinson’s 2312 Chapter 6: Spores of Speculation Chapter 11: This World Which Is Not One Frontmatter
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