Alexis Candia-Cáceres, Oscar Rosales Neira, Patricio Landaeta
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Abstract
The article proposes a review of the role of women in the works that shape Salvador Reyes' narrative of Valparaiso: El cafe del puerto (1926), Piel nocturna (1936), Monica Sanders (1951) and Valparaiso, puerto de nostalgia (1955). The construction of the female subject follows Rimbaud’s notion of “heart and beauty”. This notion counters the phallocentric bias prevalent in Chile in the early 20th century by setting lines of flight that open possibilities of transgression within the order of the family. In addition, this article proposes intertextual connections necessary for understanding the disruptive component of the representation of women in Reyes’ writing
本文回顾了女性在塑造萨尔瓦多·雷耶斯对瓦尔帕莱索的叙述的作品中的角色:El cafe del puerto (1926)， Piel nocturna (1936)， Monica Sanders(1951)和Valparaiso, puerto de nostalgia(1955)。女性主体的建构遵循兰波的“心与美”观念。这一观念通过设置在家庭秩序中出现越轨行为的可能性，对抗了20世纪初智利盛行的以生殖器为中心的偏见。此外，本文还提出了理解雷耶斯作品中女性表现的破坏性成分所必需的互文联系
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