Introduction – performing in digital in the COVID-19 era

B. Houlihan, C. Morris
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引用次数: 3

Abstract

ABSTRACT This paper introduces the special issue of ‘Performing in Digital’ and reflects the processes and experiences of theatre performance, production, and education during the most affected years of the COVID-19 pandemic. It examines the form, modality, and mediality of theatre production and collaboration during this time, for theatre practitioners and general audiences. As theatres went dark in 2020, performance education and production practices migrated into a largely online and digital space. This paper presents new findings into the sense of self and liveness while analysing the shift in performance: culturally and socially, from the physical to the hyper-connected online space.
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导言-新冠肺炎时代的数字化表演
本文介绍了“数字化表演”特刊,并反映了2019冠状病毒病大流行最严重时期戏剧表演、制作和教育的过程和经验。它为戏剧从业者和普通观众考察了这一时期戏剧制作和合作的形式、形态和媒介。随着剧院在2020年关门,表演教育和制作实践基本上转移到了在线和数字空间。本文在分析表演的转变的同时,提出了关于自我意识和活力的新发现:文化和社会,从物理到超连接的在线空间。
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