{"title":"Broder Singers","authors":"A. Seigel","doi":"10.3828/liverpool/9781906764739.003.0007","DOIUrl":null,"url":null,"abstract":"This chapter focuses on Yiddish popular songs that developed strongly in the second half of the nineteenth century. It clarifies that many of the Yiddish songs were produced by the popular itinerant bards known as Broder singers, who took their name from the city of Brody, a frontier town in nineteenth-century Galicia. It also explains the “Broder singer” as a generic term for performers who provided musical entertainment with short skits and limited use of costumes, make-up, and staging. The chapter describes the nature of the Broder singer's performances. It also recounts how the Broder singers disappeared by the 1930s but left behind a corpus of recordings that has been revived in recent years.","PeriodicalId":402577,"journal":{"name":"Polin: Studies in Polish Jewry Volume 32","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Polin: Studies in Polish Jewry Volume 32","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781906764739.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

This chapter focuses on Yiddish popular songs that developed strongly in the second half of the nineteenth century. It clarifies that many of the Yiddish songs were produced by the popular itinerant bards known as Broder singers, who took their name from the city of Brody, a frontier town in nineteenth-century Galicia. It also explains the “Broder singer” as a generic term for performers who provided musical entertainment with short skits and limited use of costumes, make-up, and staging. The chapter describes the nature of the Broder singer's performances. It also recounts how the Broder singers disappeared by the 1930s but left behind a corpus of recordings that has been revived in recent years.
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本章着重于十九世纪下半叶蓬勃发展的意第绪语流行歌曲。它澄清了许多意第绪语歌曲是由流行的巡回吟游诗人布罗德歌手创作的,布罗德歌手的名字来自19世纪加利西亚的一个边境城镇布罗迪。它还将“布罗德歌手”解释为一个通称,指的是那些通过短剧和有限的服装、化妆和舞台表演提供音乐娱乐的表演者。这一章描述了布罗德歌手表演的性质。书中还讲述了布罗德家族的歌手们如何在20世纪30年代消失,但却留下了近年来重新出现的大量唱片。
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