Crni Popaj Štefa Bartolića kao ostvarenje moralne periferije

Pavel Pilch
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Abstract

This text deals with the interpretation of the comic character Crni Popaj (Black Popeye) written and drawn by Štef Bartolić. We find the controversial personality of this fictional abuser as somewhat of a metaphor for the extreme conception of freedom, which, despite its disgusting nature, speaks more to our moral rules than laws and ethical principles. Phenomena such as drugs, sexual abuse and violence within our metaphorical thinking are understood as a distorted mirror that, directed toward our daily lives, reveals the true nature of man who has not yet emerged from the animal universe.
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本文讨论了Štef bartoliski所创作和绘制的漫画人物Crni Popaj (Black Popeye)的解释。我们发现这个虚构的施虐者有争议的性格在某种程度上隐喻了自由的极端概念,尽管它的本质令人作呕,但它更多地反映了我们的道德规则,而不是法律和伦理原则。在我们的隐喻思维中,毒品、性虐待和暴力等现象被理解为一面扭曲的镜子,指向我们的日常生活,揭示了尚未从动物世界中出现的人的真实本性。
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