{"title":"Defective Femininity and (Sur)Realist Empowerment: Benito Pérez Galdós’s and Luis Buñuel’s Tristana","authors":"Andrea Gremels","doi":"10.1007/978-3-030-74377-2_6","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":142906,"journal":{"name":"Amputation in Literature and Film","volume":"65 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Amputation in Literature and Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-74377-2_6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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