Musical Haptic Wearables for Synchronisation of Visually-impaired Performers: a Co-design Approach

L. Turchet, David Baker, T. Stockman
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引用次数: 7

Abstract

The emergence of new technologies is providing opportunities to develop novel solutions that facilitate the integration of visually-impaired people in different activities of our daily life, including collective music making. This paper presents a study conducted with visually-impaired music performers, which involved a participatory approach to the design of accessible technologies for musical communication in group playing. We report on three workshops that were conducted together with members of an established ensemble of solely visually-impaired musicians. The first workshop focused on the identification of the participants’ needs during the activity of playing in groups and how technology could satisfy such needs. The second and third workshops investigated, respectively, the activities of choir singing and instrument playing in ensemble, focusing on the key issue of synchronisation that was identified in the first workshop. The workshops involved prototypes of musical haptic wearables, which were co-designed and evaluated by the participants. Overall, results indicate that wireless tactile communication represents a promising avenue to cater effectively to the needs of visually-impaired performers.
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用于视障表演者同步的音乐触觉可穿戴设备:一种协同设计方法
新技术的出现为开发新的解决方案提供了机会,这些解决方案有助于视障人士融入我们日常生活的不同活动,包括集体音乐创作。本文介绍了一项对视障音乐表演者进行的研究,该研究涉及一种参与式的方法来设计群体演奏中音乐交流的无障碍技术。我们报告了三个讲习班,这些讲习班是与一个由视力受损的音乐家组成的成熟合奏团的成员一起进行的。第一次研讨会的重点是确定参与者在小组游戏活动中的需求,以及技术如何满足这些需求。第二和第三次研讨会分别调查了合唱团唱歌和合奏乐器演奏的活动,重点是在第一次研讨会中确定的同步的关键问题。研讨会涉及音乐触觉可穿戴设备的原型,由参与者共同设计和评估。总体而言,研究结果表明,无线触觉通信是一种有前途的途径,可以有效地满足视障表演者的需求。
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