Marketing Sudhā (1927–41)

S. Nijhawan
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Abstract

Chapter 2 provides an introduction and discussion of Sudhā’s peritext as well as of Gaṅgā Pustak Mālā and Sudhā’s contributors, objectives, customer care, and marketing strategies. It begins with a horizontal reading of the periodical, showing how it consisted of two major parts that disseminated knowledge through the essay and through poetry and fiction offering a blend of ‘education’ and ‘entertainment’ (Part I) and through a diversity of more practically oriented columns, one of which was a readers’ digest and a lengthy editorial, which also offered a blend of entertaining and educational knowledge (Part II). It considers the periodical’s visual layout as central to understanding its positioning as modern while also being rooted in Vaishnava tradition and devotion towards Rama and Krishna in particular. The visuals are also indicative of new conceptualizations of women in liminal spaces and their relationship to the publishing world in the Hindi public sphere.
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第2章介绍和讨论了sudhha的背景,以及Gaṅgā Pustak Mālā和sudhha的贡献者、目标、客户关怀和营销策略。首先是对期刊的横向阅读,展示了它是如何由两个主要部分组成的:通过文章、诗歌和小说传播知识,提供“教育”和“娱乐”的混合(第一部分),以及通过各种更实用的专栏,其中一个是读者文摘和一篇长篇社论,它也提供了娱乐和教育知识的融合(第二部分)。它认为期刊的视觉布局是理解其定位的核心,它是现代的,同时也植根于外士那瓦的传统和对罗摩和奎师那的奉献。视觉效果也表明了女性在有限空间中的新概念,以及她们与印度公共领域出版界的关系。
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Marketing Sudhā (1927–41) ‘Canon’ Formation (Part II) ‘Canon’ Formation (Part I) The Hindi Literary Sphere (1920s–1940s) from the Micro-Perspective of Lucknow
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