{"title":"Chapter 10. Magic Realist Tokyo: Poe’s ‘‘The Man That Was Used Up’’ as a Subtext for Bartók-Terayama’s Magical Musical The Miraculous Mandarin","authors":"","doi":"10.1515/9780822388012-013","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":348194,"journal":{"name":"Full Metal Apache","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Full Metal Apache","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/9780822388012-013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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