THE STYLE OF NABOKOV, A SELF-PROCLAIMED "SEEKER OF WORD ADVENTURES"

Masha Levina-Parker, Mikhail Levin
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Abstract

Nabokov’s phrase is mostly clear and not necessarily unusual but full of unusual images. Unlike Andrei Bely, J. Joyce, A. P. Platonov and even N. V. Gogol, he does not create his own other-lingua; what makes him unique is other-vision, i. e. the gift of discerning what is invisible for the rest. A special feature thereof is transformation of one kind of phenomena into another (human, animal’s, things’s, natural). Nabokov plays with words, syllables, letters, signs in a language game of his own.
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自称“文字冒险的探索者”的纳博科夫的风格
纳博科夫的措辞很清楚,不一定不寻常,但却充满了不寻常的意象。与安德烈·别列、j·乔伊斯、a·p·柏拉图诺夫甚至n·v·果戈理不同,他没有创造自己的另一种语言;他的独特之处在于他者的眼光,也就是说,他有辨别别人看不见的东西的天赋。它的一个特点是将一种现象转化为另一种现象(人的、动物的、物的、自然的)。纳博科夫在他自己的语言游戏中玩弄单词、音节、字母和符号。
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D. V. VENEVITINOV’S SONNET «TO THEE, OH PURE SPIRIT, THE SOURCE OF INSPIRATION…»: DATING, POETICS, SCHELLINGIAN PLOT MEMORY AND TEXT: N. N. BERBEROVA ON A. A. BLOK SOME THOUGHTS ON THE NOSE BY N. V. GOGOL AT THE GATES OF THE RUSSIAN HANDWRITTEN TRADITION OF MODERN TIMES THAT LEAVES ROGOZHIN?
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