Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-161-177
Yuri A. Kleiner
The three versions of The Nose by Nikolai Gogol refl ect the evolution of the author’s concept and its realization, from a «dream» to an unmotivated incident. The preservation of the elements of the dream from the original version in the 1836 and 1842 publications suggests the presence of the motif in the storylines of both characters, but in an encrypted form. For encoding, the 12 days’ difference between the Julian and Gregorian calendars (March 25 — April 7 in the 1842 edition) was used, which accommodated the events of one night in the original version.
{"title":"SOME THOUGHTS ON THE NOSE BY N. V. GOGOL","authors":"Yuri A. Kleiner","doi":"10.31860/0131-6095-2021-3-161-177","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-161-177","url":null,"abstract":"The three versions of The Nose by Nikolai Gogol refl ect the evolution of the author’s concept and its realization, from a «dream» to an unmotivated incident. The preservation of the elements of the dream from the original version in the 1836 and 1842 publications suggests the presence of the motif in the storylines of both characters, but in an encrypted form. For encoding, the 12 days’ difference between the Julian and Gregorian calendars (March 25 — April 7 in the 1842 edition) was used, which accommodated the events of one night in the original version.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"415 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123393669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-26-28
Polina Kozerenko, A. Stasiuk
The author’s refl ections on reading The Idiot encompass both his own perception of the characters in the novel, experienced in his adolescence, and the search for the metaphysical foundations that would consolidate the reader’s ideas about Russia and the Russians of the 19th century and the present, as formed by the novel. According to Stasiuk, Rogozhin is the only truly alive character, who stands out against the ghostly environment.
{"title":"THAT LEAVES ROGOZHIN?","authors":"Polina Kozerenko, A. Stasiuk","doi":"10.31860/0131-6095-2021-3-26-28","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-26-28","url":null,"abstract":"The author’s refl ections on reading The Idiot encompass both his own perception of the characters in the novel, experienced in his adolescence, and the search for the metaphysical foundations that would consolidate the reader’s ideas about Russia and the Russians of the 19th century and the present, as formed by the novel. According to Stasiuk, Rogozhin is the only truly alive character, who stands out against the ghostly environment.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126246596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-134-141
Elena A. Zakryzhevskaya
This article touches upon the funeral of A. Blok, as depicted by N. Berberova in her memoirs, The Italics Are Mine (1969). Specifi cally, it analyses the funeral episode in light of her earlier articles, published in 1931 and 1947. We examine the way Berberova modifi ed the story, giving us a unique opportunity to follow her path through memories to memoirs.
本文涉及到N. Berberova在她的回忆录《斜体是我的》(the Italics Are Mine, 1969)中所描绘的A. Blok的葬礼。具体来说，它根据她在1931年和1947年发表的早期文章分析了葬礼的情节。我们考察了Berberova修改故事的方式，为我们提供了一个独特的机会，跟随她从记忆到回忆录的道路。
{"title":"MEMORY AND TEXT: N. N. BERBEROVA ON A. A. BLOK","authors":"Elena A. Zakryzhevskaya","doi":"10.31860/0131-6095-2021-3-134-141","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-134-141","url":null,"abstract":"This article touches upon the funeral of A. Blok, as depicted by N. Berberova in her memoirs, The Italics Are Mine (1969). Specifi cally, it analyses the funeral episode in light of her earlier articles, published in 1931 and 1947. We examine the way Berberova modifi ed the story, giving us a unique opportunity to follow her path through memories to memoirs.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123095914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-253-254
S. Alpatov
[Review]: Shamin S. M. Inostrannye «pamfl ety» i «kur’ezy» v Rossii XVI — nachala XVIII stole tiia. M.: Ves’ Mir, 2020. 392 s.
{"title":"AT THE GATES OF THE RUSSIAN HANDWRITTEN TRADITION OF MODERN TIMES","authors":"S. Alpatov","doi":"10.31860/0131-6095-2021-3-253-254","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-253-254","url":null,"abstract":"[Review]: Shamin S. M. Inostrannye «pamfl ety» i «kur’ezy» v Rossii XVI — nachala XVIII stole tiia. M.: Ves’ Mir, 2020. 392 s.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124682723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-156-161
Veniamin Timofeevich Zolotukhin, Elena Nikolaevna Grigor’eva
The context of D. V. Venevitinov’s philosophical writings reveals an underlying Schellingian content within the sonnet «To Thee, Oh Pure Spirit, the Source of Inspiration…». The particularities of the text’s poetics testify to the role it plays in the emergence of Venevitinov’s lyrical persona. The study of ideological genesis and artistic structure of the poem allows to date it more precisely.
{"title":"D. V. VENEVITINOV’S SONNET «TO THEE, OH PURE SPIRIT, THE SOURCE OF INSPIRATION…»: DATING, POETICS, SCHELLINGIAN PLOT","authors":"Veniamin Timofeevich Zolotukhin, Elena Nikolaevna Grigor’eva","doi":"10.31860/0131-6095-2021-3-156-161","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-156-161","url":null,"abstract":"The context of D. V. Venevitinov’s philosophical writings reveals an underlying Schellingian content within the sonnet «To Thee, Oh Pure Spirit, the Source of Inspiration…». The particularities of the text’s poetics testify to the role it plays in the emergence of Venevitinov’s lyrical persona. The study of ideological genesis and artistic structure of the poem allows to date it more precisely.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114477534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-226-248
Masha Levina-Parker, Independent Researcher
The article explores the construction of the image of Lolita in the novel. Seemingly, the image of Lolita is a complete construct of Humbert’s narration. However, Nabokov’s way of composing the no vel allows certain empirics contributing to formation of Lolita’s image to escape the control of the narrator. In order to understand how Lolita’s image is constructed, it is necessary to analyze how Nabokov constructs Humbert’s narration about Lolita. Humbert’s narration contains certain hidden autonomous signs that diverge from visible dimension of his narration and modify the portrait of Lolita.
{"title":"LOLITA IN LOLITA","authors":"Masha Levina-Parker, Independent Researcher","doi":"10.31860/0131-6095-2021-3-226-248","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-226-248","url":null,"abstract":"The article explores the construction of the image of Lolita in the novel. Seemingly, the image of Lolita is a complete construct of Humbert’s narration. However, Nabokov’s way of composing the no vel allows certain empirics contributing to formation of Lolita’s image to escape the control of the narrator. In order to understand how Lolita’s image is constructed, it is necessary to analyze how Nabokov constructs Humbert’s narration about Lolita. Humbert’s narration contains certain hidden autonomous signs that diverge from visible dimension of his narration and modify the portrait of Lolita.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128037345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-70-84
A. S. Aleksandrov
This article is devoted to the creative ties and relations between L. N. Andreev and I. I. Yasin-sky, as well as to the history of their personal contacts. The article outlines Yasinsky’s attitude to the personality and art of Andreev after the October Revolution of 1917. Their correspondence is reproduced in the Conclusion; the publication of the epistolary dialogue is accompanied by historical and literary commentaries.
本文致力于L. N. Andreev和I. I. Yasin-sky之间的创造性联系和关系，以及他们个人交往的历史。文章概述了1917年十月革命后亚辛斯基对安德烈耶夫的个性和艺术的态度。他们的通信在结束语中转载;书信体对话的出版伴随着历史和文学评论。
{"title":"CORRESPONDENCE BETWEEN L. N. ANDREEV AND I. I. YASINSKY","authors":"A. S. Aleksandrov","doi":"10.31860/0131-6095-2021-3-70-84","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-70-84","url":null,"abstract":"This article is devoted to the creative ties and relations between L. N. Andreev and I. I. Yasin-sky, as well as to the history of their personal contacts. The article outlines Yasinsky’s attitude to the personality and art of Andreev after the October Revolution of 1917. Their correspondence is reproduced in the Conclusion; the publication of the epistolary dialogue is accompanied by historical and literary commentaries.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133246621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-12-25
V. Dimitriev
The publication presents a speech by the French writer and critic André Suarès, devoted to the anniversary of F. M. Dostoevsky. The celebration took place on December 24, 1921 at the Théâtre du Vieux-Colombier in Paris. The introduction offers a brief commentary on the celebration.
该刊物刊登了法国作家兼评论家安德烈·斯瓦里斯(andr suar)纪念陀思妥耶夫斯基诞辰周年的演讲。庆祝活动于1921年12月24日在巴黎的thassimata du Vieux-Colombier举行。导言部分对庆祝活动做了简短的评论。
{"title":"«ISN’T THIS THE MOST AMAZING TRIUMPH OF SPIRIT?»: DOSTOEVSKY ANNIVERSARY SPEECH BY ANDRÉ SUARÈS","authors":"V. Dimitriev","doi":"10.31860/0131-6095-2021-3-12-25","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-12-25","url":null,"abstract":"The publication presents a speech by the French writer and critic André Suarès, devoted to the anniversary of F. M. Dostoevsky. The celebration took place on December 24, 1921 at the Théâtre du Vieux-Colombier in Paris. The introduction offers a brief commentary on the celebration.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128041360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-279-283
Mariia Dmitrievna Andrianova
{"title":"FORMS OF CULTURAL RECYCLING IN MODERN RUSSIA: TENDENCIES AND INTERPRETATIONS SECOND INTERDISCIPLINARY RESEARCH SEMINAR","authors":"Mariia Dmitrievna Andrianova","doi":"10.31860/0131-6095-2021-3-279-283","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-279-283","url":null,"abstract":"","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"238 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126250091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.31860/0131-6095-2021-3-268-276
E. D. Konusova
{"title":"AVVAKUM CONFERENCE Honoring the 400th Anniversary of the Birth of Protopop Avvakum","authors":"E. D. Konusova","doi":"10.31860/0131-6095-2021-3-268-276","DOIUrl":"https://doi.org/10.31860/0131-6095-2021-3-268-276","url":null,"abstract":"","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126692576","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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