Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)

Dawid Kobiałka
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引用次数: 1

Abstract

This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of  archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.
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本文讨论了关于切尔斯克(波兰波美拉尼亚省)(Kriegsgefangenenlager Czersk)战俘营材料遗骸的考古和人类学研究结果。在第一部分中,我概述了与1914-1919年切尔斯克附近森林中营地的建设和功能有关的更广泛的历史背景。在此基础上,阐述了这类考古遗址考古研究的作用和意义。在第三部分中,我将重点关注营地遗产的一个非常特殊的类别,即战壕艺术。本文的最后一部分是一个案例研究,其中在营地发现的分类为战壕艺术的物体组合被描述和解释。本文旨在突出这些囚犯和集中营遗产的价值。这种物质文化是囚犯在铁丝网后面非凡创造力的物质记忆。它让人们意识到,在铁丝网后面的日常生活中,每一块垃圾都是如何被回收利用的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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