Verbal Humor in Louis C.K.’S Stand-Up Comedy Concert “Oh My God”: The Pragmatic Strategies

Uda Makiyya Syauqillah, Nina Setyaningsih
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Abstract

A stand-up comedy performance is not only about amusing the audiences with the joke, but it also has other functions. This research analyzes the pragmatic strategies and function of Louis C.K.’s stand-up comedy concert “Oh My God”. Raskin and Attardo’s (1992) General Theory of Verbal Humor (GTVH) and Grice’s (1975) maxims of cooperative principle were employed as the framework of the analysis. A descriptive qualitative method was also used to analyze the data. The result reveals that Louis C.K.’s jokes in this concert mostly violate the maxim of quantity to generate laughter through exaggeration and faulty reason. Furthermore, Louis C.K.’s stand-up comedy is not only a way to entertain but it also has another function, that is, to deliver certain messages to the audience. Louis C.K.’s joke is also a form of giving a narrative to the audiences to understand the reality that people face in another point of view.
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路易斯·c.k.单口喜剧音乐会“哦,我的上帝”中的言语幽默:语用策略
单口喜剧表演不仅仅是用笑话逗乐观众,它还有其他功能。本研究分析了Louis c.k.的单口喜剧演唱会《Oh My God》的语用策略和功能。本文采用Raskin和Attardo(1992)的言语幽默一般理论(GTVH)和Grice(1975)的合作原则原则作为分析框架。采用描述性定性方法对数据进行分析。结果表明,Louis C.K在这场音乐会中的笑话大多违反了数量准则,通过夸张和错误的推理来产生笑声。此外,路易斯·c.k.的单口喜剧不仅是一种娱乐方式,而且还有另一种功能,那就是向观众传递某种信息。路易斯·c·k的笑话也是一种叙事形式,让观众从另一个角度去理解人们所面对的现实。
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