{"title":"The Queer Monster: Putting Séance and Bit in Conversation","authors":"Cameron Mumford","doi":"10.15664/fcj.v20i0.2520","DOIUrl":null,"url":null,"abstract":"This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in conversation. I show how both of these queer horror films move beyond the questions of representation and investigate how the very genre of horror can be utilised to reflect ideas of queerness. I incorporate Robin Wood’s psychoanalytical perspective on the monster reflecting what society represses. However, unlike the films Wood analysed in the 70s/80s, these modern films do not just relegate queerness to subtext. Queerness is now present, alive, in the text. And here, I interrogate how the role of the monster in both films reflects ideas of queer lived experience. \n ","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frames Cinema Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15664/fcj.v20i0.2520","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in conversation. I show how both of these queer horror films move beyond the questions of representation and investigate how the very genre of horror can be utilised to reflect ideas of queerness. I incorporate Robin Wood’s psychoanalytical perspective on the monster reflecting what society represses. However, unlike the films Wood analysed in the 70s/80s, these modern films do not just relegate queerness to subtext. Queerness is now present, alive, in the text. And here, I interrogate how the role of the monster in both films reflects ideas of queer lived experience.