The Queer Monster: Putting Séance and Bit in Conversation

Cameron Mumford
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Abstract

This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in conversation. I show how both of these queer horror films move beyond the questions of representation and investigate how the very genre of horror can be utilised to reflect ideas of queerness. I incorporate Robin Wood’s psychoanalytical perspective on the monster reflecting what society represses. However, unlike the films Wood analysed in the 70s/80s, these modern films do not just relegate queerness to subtext. Queerness is now present, alive, in the text. And here, I interrogate how the role of the monster in both films reflects ideas of queer lived experience.   
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奇怪的怪物:把ssamance和Bit放在对话中
这段视频文章将比特(布拉德·迈克尔·埃尔莫尔,2019年,美国)和塞恩斯(西蒙·巴雷特,2021年,美国)置于对话中。我展示了这两部酷儿恐怖电影是如何超越表现的问题,并研究了如何利用恐怖类型来反映酷儿的想法。我把罗宾·伍德对怪物的精神分析观点结合起来,反映了社会所压抑的东西。然而,与伍德在70年代和80年代分析的电影不同,这些现代电影并不只是将酷儿问题降级为潜台词。酷儿身份现在是存在的,活的,在文本中。在这里,我将探讨这两部电影中怪物的角色是如何反映酷儿生活经历的。
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