Da'wa Narration of Matchmaking in Opor Ayam Short Film

F. Azzahro, Hartini Salama
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Abstract

Background: The narration of women as wives in every age and culture is always conveyed using various methods. This diversity is increasingly being explored through the development of media and digital technology. Short films through the Youtube channel can also be a medium of dawah to narrate a matchmaking. Purpose: The focus of this study is limited to how the topic of matchmaking is narrated in the short film “Opor Ayam” published by NU Online. Design and methods: This study’s method is descriptive qualitative with verbal and visual narrative research data on the short film Opor Ayam published by NU Online in 2021. This research uses semiotics-signification theory to obtain a narrative structure for the meaning of matchmaking. Results: The results show that the Opor Ayam film has four stages, namely equilibrium, disruption, disequilibrium and new-equilibrium as a narrative structure. The results of the discussion also show that the topic of matchmaking is conveyed as; (1) acceptable in religion, (2) must be based on religious provisions, (3) the narrative emphasizes that marriage through matchmaking is a familiarization and must be based on religion.
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Opor Ayam短片中的Da'wa叙事
背景:在每个时代和文化中,女性作为妻子的叙事总是通过各种方式来传达。随着媒体和数字技术的发展,这种多样性正在得到越来越多的探索。Youtube频道的短片也可以作为dawah的媒介来叙述相亲。目的:本研究的重点仅限于NU Online发布的短片《Opor Ayam》中如何讲述相亲这个话题。设计与方法:本研究采用描述性定性方法,以NU Online于2021年发布的短片《Opor Ayam》为研究对象,采用语言和视觉叙事研究数据。本研究运用符号学-意义理论,对配对意义进行叙事结构。结果:结果表明,作为叙事结构,《奥波尔·阿亚姆》电影经历了均衡、断裂、非均衡和新均衡四个阶段。讨论结果还表明,相亲的主题传达为;(1)在宗教中可以接受;(2)必须基于宗教规定;(3)叙事强调通过媒妁之言的婚姻是一种熟悉,必须基于宗教。
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