Iconography and Roman Religion

K. Rask
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Abstract

Roman iconography depicts religious practices, divine figures, mortal worshippers, and beliefs about the gods. Religious imagery reflects the importance of religion in Roman conceptions of the past, the fashioning of self-identity, and discursive practices. Representations of sacred spaces and occasions often emphasize their topographic arrangement within landscapes, giving religious imagery a strong sense of place. Inside sanctuaries, decorative imagery is augmented by iconography that facilitates ritual activity, illustrates cult-specific details, and shapes the experience of visitors. Religious iconography also highlights the contested natures of artifacts as well as the ways images enacted and reacted to social tensions. Although legal experts attempted to categorize the sacrality of images and artifacts, thoughts about an image’s status were mutable and rooted in personal experience and local factors. Many sacred images possessed agentive and talismanic properties, and manifested divine powers and presence.
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圣像学与罗马宗教
罗马的肖像画描绘了宗教习俗、神圣的人物、凡人的崇拜者和对神的信仰。宗教意象反映了宗教在罗马人对过去的观念、自我认同的塑造和话语实践中的重要性。神圣空间和场合的表现往往强调其在景观中的地形安排,赋予宗教意象强烈的场所感。在圣殿内部,装饰图像通过图像来增强,以促进仪式活动,说明邪教特定的细节,并塑造游客的体验。宗教肖像也强调了人工制品的争议性,以及图像制定和反应社会紧张局势的方式。虽然法律专家试图对图像和人工制品的神圣性进行分类,但对图像地位的思考是多变的,植根于个人经验和当地因素。许多神圣的形象具有代理和护身符的属性,并表现出神圣的力量和存在。
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