Apis mellifera (Rilke, Leśmian, Valéry, Miłosz)

T. Wójcik
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引用次数: 1

Abstract

The article concerns Paul Valéry’s sonet The Bee, a fragment of Rainer Maria Rilke’s letter to Witold Hulewicz, Boleslaw Lesmian’s poem The Bees and a fragment of Czeslaw Milosz’s poem Orpheus and Eurydice. The analysis of the semantic connotations and symbolic meanings of the bee, which appears in these texts, shows them as elements of a larger ontological project: an attempt to answer the question of the relation between being and non-being. In essence, this project denies the division into being and non- -being, proposing the concept of a greater whole instead the entrenched opposition.
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这篇文章涉及保罗·瓦尔杰里的十四行诗《蜜蜂》,里尔克写给维托尔德·胡勒维茨的信的片段,波尔斯拉夫·莱斯米安的诗《蜜蜂》和切斯拉夫·米沃什的诗《俄耳甫斯与欧律狄刻》的片段。对这些文本中出现的蜜蜂的语义内涵和象征意义的分析表明,它们是一个更大的本体论项目的元素:试图回答存在与非存在之间关系的问题。从本质上讲,这个项目否认了存在与非存在的划分,提出了一个更大整体的概念,而不是根深蒂固的对立。
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Apis mellifera (Rilke, Leśmian, Valéry, Miłosz) Rosyjskie wiersze polskich poetów: Bolesław Leśmian i Jarosław Iwaszkiewicz Leśmian, Malczewski, przekład Filologia niemożliwego. O tłumaczeniach poezji Leśmiana na język angielski i niemiecki Rytm w poezji Bolesława Leśmiana i problemy jego przekładu na język włoski
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