Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang

Fauziatus Zilmi, Abdul Rachman, M. Muttaqin
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Abstract

Keroncong Music is  a music that has different character from other musics, including several techniques in vocal performance, such as  luk, nggandul, embat, gregeland cengkok. Nowadays keroncong music does not only perform keroncong songs but also performs popular songs accompanied by keroncong music. When performing popular songs accompanied by keroncong music, usually the performance of each singer will be different. This study aims to determine how the vocal performance of popular songs in keroncong music. The research method used was qualitative. Data collection techniques used observation, interviews, and document study. The results showed that in performing pop songs with a slow tempo accompanied by keroncong music, the techniques used by keroncong singers tended to be Ngeroncongiwhich means that singers still use some keroncong singing techniques such as luk, nggandul, embat, gregel, and cengkokalthough the songs performed have pop genre. Whereas in performing pop songs in fast tempo that are accompanied by keroncong music, the techniques used by keroncong singers tend to pop (ngepop), which means the singers still show pop techniques and improvisation.
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Ngeroncongi与Ngepop:三宝垄区kronong音乐中流行歌曲的声乐表演研究
可隆琮音乐是一种与其他音乐不同的音乐,包括几种声乐表演技巧,如luk, nggandul, embat, gregreand cengkok。现在的科隆颂音乐不仅表演科隆颂歌曲,还表演流行歌曲。在演唱流行歌曲的时候,通常每个歌手的表演都会有所不同。本研究旨在确定流行歌曲的声乐表演如何在科伦聪音乐。本研究采用定性研究方法。数据收集技术采用观察、访谈和文献研究。结果表明,在演唱慢节奏的流行歌曲时,虽然演唱的歌曲具有流行风格,但歌手使用的演唱技巧倾向于ngeroncongii,这意味着歌手仍然使用luk, nggandul, embat, gregel, cengkoki等演唱技巧。而在快节奏的流行歌曲演唱中,伴随着可歌可歌的音乐,可歌可歌歌手使用的技术倾向于流行(ngepop),这意味着歌手仍然表现出流行技术和即兴创作。
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